The idea is to clear the whole playing area by removing tiles in groups. The more tiles you remove at the same time, the more points you get.
Unity works in devices with and without accelerometer sensors!
Free Download: unity_v2_20_0.sis
Follow Kim or Tom through 6 levels in their quest to prevent the cute multiplying amoebas to take the world and become the new Amoeba Master. Watch out for the cute but amoeba's controlled creatures that will try to put and end to your quest.
Amoebax is designed with levels for everyone, from children to adults. With the training mode everybody will quickly become a master and the tournament mode will let you have a good time with your friends. There is also catchy music, funny sound effects, and beautiful screens that sure appeal to everyone in the family.
Amoebax was ported for S60 and UIQ by Anotherguest
Free Download:At PLASA Focus today, Sound Technology Ltd is giving a UK debut to a number of key new products in its portfolio.
The Soundcraft Si2 is a new compact addition to the Si Series of mid-market digital consoles. It's compact footprint and standard I/O configuration, allowing the Si2 to easily slot directly in place of an analogue console, is sure to appeal across multiple markets. With an intuitive user-interface with a "where you mix is where you look" design, Virtual Si offline editor, and the exceptional sound quality Soundcraft digital consoles have become renowned for, the Si2 is shipping in May 2009.
PLASA Focus also marks the first UK appearance of the AKG DMS700 Digital Wireless System. The sophisticated new system operates on two future-proof bands, each with a tuning range of up to 155Mhz, offers up to 100 simultaneous channels, 100% digital audio transmission with no compounder, and the ability to securely encrypt data. The AKG DMS700 system is also shipping in May 2009.
Pictured: AKG DMS700 Digital Wireless System
From dbx Pro comes four new additions to the popular ZonePRO Zone Processing range of models. The 1260m, 1261m, 640m and 641m join the existing range, adding more microphone inputs, input processing on each mic input, Ambient Noise Compensation and numerous other enhancements. Shipping now is the new range of dbx System Core digital matrix processors. Based on the principles of the dbx Zone Processing products the new SC32 and SC64 matrix processors offer wizard driven configuration using HiQnet System Architect™ making unprecedented DSP power, incredible routing flexibility and a rich palette of processing tools accessible with the minimum of training.
Pictured: dbx Pro SC64 Digital Matrix Processor
Finally, Crown's new I-Tech HD flagship amplifier, a stunning product of engineering R&D, more than 60 years of amplifier heritage and systematic user input from tour sound leaders in all markets, has arrived in the UK. Developed in conjunction with sister company BSS, the next generation OmniDriveHD DSP Engine at the heart of I-Tech HD is built on a new architecture specifically optimized for fast and efficient audio processing to provide tour and contracting professionals with a new platform for signal processing. The new FIREWALL™ FIR filter technology provides significantly improved midrange clarity and dramatically improved off-axis response. The OmniDrive HD reduces latency, safeguards sonic integrity and advances system reliability. AudioCore features 24- bit, 192 kHz A/D and D/A converters. In yet another industry first, Crown Audio links the limiters in its new family of amplifiers: Crown's innovative LevelMax™ limiter technology links the previously independent Peak, Thermal and RMS Limiters, enabling more effective, elegant protection of connected speakers while advancing system performance. LevelMax limiter actions are better informed for more effective, efficient results and minimal sonic degradation. I-Tech HD is shipping now.
Pictured: Crown I-Tech 12000 HD
For more information please visit www.soundtech.co.uk
Landmark London venue The Scala, has upgraded its front-of-house console— replacing its old mixing desk with a new 32-channel Soundcraft MH3 analogue, multi-mode console.
The board was specified by the venue’s experienced head of sound, George Gregori, on recommendation from Soundcraft dealer, Pete Brotzman of Crystal Pro Audio, who provided the venue with much of its audio support.
The desk is also used by day to run live sound training courses run by Gregori for his company Live Sound Courses (www.livesoundcourses.com) . With many alumni having progressed to great achievements in the professional world of live sound mixing, he believes that the physicality of the analogue surface is much more forgiving than the digital equivalents.
“The MH3 is perfect for our needs — unlike our previous desk which was being repaired so often that it became uneconomical to maintain,” observes Gregori.
The acquisition comes exactly a year after the 800-capacity converted cinema upgraded its sound reinforcement system; the head of sound says the new desk, with its sophisticated feature-set, has injected it with a new vitality.
Gregori says he never considered anything than a Soundcraft analogue desk. “We constantly get production riders stating ‘No digital desks at any cost’”, he notes. “Soundcraft is a familiar surface for incoming sound engineers, and matching the price of this robust desk with the facilities on board made the decision a no brainer.
“Also, being a dual-mode desk incoming productions are able to use the MH3 in monitor mode if they need to. mThe MH3 gives us eight VCA’s, a great sounding mic pre and a big EQ section — with two parametric mid sections and sweepable high and low sections — at a great price. These facilities make it the perfect tool for training students,” he says.
Finally, he notes that the MH3 also provides four additional stereo channels and has eight stereo returns — features with which he is hugely impressed.
Pete Brotzman added, “Looking at what the Scala had before, the MH3 was the only way to go. It’s the ideal pro desk at this price point, with a great mic pre and front end. It’s no wonder we sell so many into this type of application.”
Soundcraft is distributed in the UK and Eire by Sound Technology Ltd.
More information:
http://www.soundtech.co.uk
At this year’s Prolight + Sound Exhibition in Frankfurt, JBL once again earned a MIPA (International Music Press Award), this time for the new EON500 portable PA loudspeaker series in the category of Portable Sound. More than 100 magazines voted in over 40 categories products at the 10th Annual MIPA ceremony, which took place on April 2. This marks the fifth straight year that JBL has won the MIPA in the Portable Sound category and JBL’s ninth MIPA nomination overall.
Since the initial introduction of the EON series in 1995, JBL has sold nearly one million speakers, resetting the standards for portability and performance along the way. The EON500 series continues to raise these standards with even greater versatility, performance and value.
More information:
http://www2.jblpro.com/catalog/general/ProductFamily.aspx?FId=70&MID=3
In my previous entry about Live Mesh I mentioned that you could use it to transfer data to and from the cloud in addition to straightforward file-sync operations.
To develop Mesh enabled applications you need to sign up to the Mesh developer site, but this is straightforward. You do need to remove the Live Mesh client to install the Live Framework Client and connect to https://developer.mesh-ctp.com rather than http://www.mesh.com, but presumably this will be rectified for final release You can download the SDK from here.
In the Live Framework SDK there are samples to demonstrate Mesh functionality. The Live Folders sample creates, edits and deletes files from the Mesh. These files and folders appear exactly the same as the synchronized folders created with Live Mesh. I would expect that long term you could synchronize with these folders, but at the moment the Live Framework Client is sandboxed and does not support the synchronization or remote control features of Live Mesh.
The following code creates a Live Mesh folder and you can see that the resource type is LIVE_MESH_FOLDER:
public static string CreateRootFolder(Mesh mesh, string title)
{
// Check if a folder with the same name exists.
foreach (MeshObject oneObject in mesh.MeshObjects.Entries)
{
if (oneObject.Resource.Title.Equals(title))
{
return "Folder already Exists!!!";
}
}
// Create folder object
MeshObject meshObject = new MeshObject(title);
// It is a mesh folder
meshObject.Resource.Type = MeshConstants.LIVE_MESH_FOLDER;
// Add folder to collection of mesh objects
mesh.MeshObjects.Add(ref meshObject);
// Create feed for files (required)
DataFeed fileDataFeed = new DataFeed(MeshConstants.LIVE_MESH_FILES);
// Set type and handler type (required)
fileDataFeed.Resource.Type = MeshConstants.LIVE_MESH_FILES;
fileDataFeed.Resource.HandlerType = MeshConstants.FILE_HANDLER_TYPE;
// Add new data feeds to collection
meshObject.DataFeeds.Add(ref fileDataFeed);
//this.LoadMeshObjects();
return "Root folder " + title + " created successfully";
}
There is also a Project Manager sample in the SDK. This is a simple application to create projects and milestones. It creates non-standard objects in Mesh. As you can see in the project code below, you can create your own class of object and are not constrained by standard folders and files:
When you deploy a Mesh application it appears both on the users Live Mesh website and also as a shortcut on their desktop. In this way, a user can just run the app without any knowledge of Live Mesh. Furthermore, because the data is synchronized between the local machine and the cloud, they can run the application when they are disconnected and it will automatically synchronize when connected although there is no conflict resolution built in.
In the code samples above, these are just snippets of the complete solution, but you can see that Live Mesh has both straightforward user file and folder synchronization, as well as an API to enable you to create a cloud-based solution.
As a final note, I looked into this as a way to synchronize favorites in IE8. You can now do this by signing up to SkyDrive and reinstalling the Live Toolbar.
The latest issue of AV Magazine features an in-depth case study of the O2's permanent British Music Experience installation. Providing the audio network core is BSS Soundweb.
"BME's audio systems, also installed by Sysco, are fully integrated with the BME show-wide control software and tightly synchronized to video content. The audio system is networked using a BSS SW9088 Soundweb system, a return to the venue where the world's largest Soundweb network was originally installed for the Millenium Dome. The Soundweb network here allows precise delivery of digital audio to the hundreds of network locations, free from interference and noise."
More information:
http://www.soundtech.co.uk/installprojects/britishmusicexperience
Described as "the keyboard player's keyboard", the new Nord Electro 3 comes "highly recommended" in the May 2009 issue of Sound On Sound.
The Electro 3 is the latest incarnation of Nord's award-winning electromechanical keyboard, featuring a superbly giggable set of organs, electric pianos, acoustic pianos, and now with a user-replaceable sample library for adding any sample of your choosing.
The Electro 3 now uses the virtual modelling of Nord's C1 dedicated organ. The review praises the sound quality and realism, describing them as "superb" with the Hammond B3 emulation becoming "my instant favourite".
The ability to use any of Nord's sample library in the Electro 3 - or any of the user's own samples - adds huge live capabilities and is recognised as making the Electro 3 "a far more complete and well-rounded instrument".
The all important playability that Nord is renowned for is addressed too with the verdict, "Tweakable and versatile - and, above all, highly playable".
Overall it is the concept, design and implementation of the whole package that gains most praise.
"Due to a willingness to respond to reviews and user feedback, Nord have continued to improve their original design, producing their best collection yet of classic instruments in convenient, modern form. The Nord Electro 3 is a mature, highly evolved, organ-based keyboard capable of coveted electric pianos, Clavinets, acoustic grands and any sample you care to feed it."
The conclusion: "If you are looking for a single keyboard to deliver classic rock organs, pianos and lots more beside, the Nord Electro 3 comes highly recommended."
More information:
http://www.soundtech.co.uk/nord/nordelectro3synth73
http://www.youtube.com/watch?v=QbyQ-qGEpU0
"The HarmonyMan has the potential to elevate the sound of your band to an incredible degree while leaving casual listeners in awe...".
The HarmonyMan is the latest revolutionary guitar effects pedal from Digitech. Essentially a pitch shifting pedal for generating multiple guitar harmonies, it receives its latest and greatest review in this month's issue of Play Music Pickup Magazine.
"...this harmoniser pedal is an awesome tool that tracks beautifully and sounds incredibly natural. You can't fault the sounds from the HarmonyMan in any way, really; the chorus sounds lush and fruity and the way that the harmonies track is incredible. Using the second voice to add an extra harmony part whilst building up a solo sounds amazing and if you play in a covers band and have to cover multiple guitar parts by yourself, you simply have to get one of these. Period".
More information:
http://www.soundtech.co.uk/digitech/news/playmusicharmonyman
The latest and greatest model in the hugely popular RP Series, the RP1000, is reviewed in the latest issue of Guitarist magazine.
The RP1000 integrates into your amp and with your stompboxes, not the other way around. Featuring exclusive Stompbox and Amp loops, the RP1000 doesn't get in the way of your tone and switches external stompboxes in and out of the signal path like large pro rigs. For home recording Steinberg Cubase LE4 software is also included.
The RP1000 is awarded the Guitarist Choice award for 'highly recommended-excellent buys' and receives a Guitarist Rating of 4.5 out of 5. The review in particular recognises its impressive number of sounds-per-pound, expanded pedalboard mode (on the RP500) and ease of editing.
More information:
http://www.soundtech.co.uk/digitech/news/guitarist-rp1000-review
Key features include: